Mar
18
to Mar 25
Filtering by: Sound Design
Nov
9
to Nov 22
Glasgow Radiophrenia
A two-week exploration into current trends in sound and transmission arts.
Mar
1
to Jun 1
Under My Barbie Duvet
Written for Brixton's Brixton's Baytree Centre and IRMO, and as a response to discussion of themes in Nora: A Dolls House, Under My Barbie Duvet explores female agency, friendship and how we measure self-worth in a world under social media’s siege. Originally written as a piece of live theatre, the creative team have ingeniously reimagined the piece for a digital audience at this time of social distancing. Nwando Ebizie composed an original score for the piece.
‘So that you guys don’t miss out for a single second I’ve decided that I’m going to stream our date. That’s right! Tune in at 5pm on Saturday 15th when it will go LIVE.’
Intro, intro, introoooo. Shirelle’s sixteen, from South and the most influential YouTuber in London. Or at least, in Lambeth. It’s Valentine’s Day and she’s got a date with some leng guy who lowkey slipped into her DMs. She’s told her mum she’s revising but Shirelle’s gone silent and her friends are starting to worry…
Written for Brixton's Brixton's Baytree Centre and IRMO, and as a response to discussion of themes in Nora: A Dolls House, Under My Barbie Duvet explores female agency, friendship and how we measure self-worth in a world under social media’s siege. Originally written as a piece of live theatre, the creative team have combined online filming, stop-motion animation and original music to ingeniously reimagine the piece for a digital audience at this time of social distancing. It forms part of a year-round Taking Part programme which works for and with the local community to explore artistic responses to the work on the Young Vic stages.
Please note, this digital scrapbook contains mild swearing, as well as mild reference to sex and under age drinking. It is recommended for ages 13+
Cast & Creatives
Participants: Ria, Misha, Million, Sophia, Luam, Ines, Muna, Lesley, Ikhlas, Nya, Salma, Warda, Aliyah, Waliyah, Deirdrian, Berenice, Kadeanne
Written by Annie Jenkins
Directed by Caitriona Shoobridge & Matt Kay
Design & Animation: Basia Binkowska
Sound Design: Nwando Ebizie
Assistant Director: Ashleigh Sobowale
Stage Manager: Joanne Woolley
Guitars & Bass performed and engineered by Nicholas Alexander
With thanks to The Baytree Centre, IRMO and High Trees Community Development Trust.
Supported by Audible, with additional support from the John Thaw Foundation.
To find out more about our work with young people and our local communities visit: youngvic.org/taking-part
Dec
1
11:30 AM11:30
Midnight Movie
Eve Leigh’s plays include The Trick (Bush Theatre), Stone Face and Silent Planet (Finborough Theatre). Rachel Bagshaw’s recent work includes Fringe First award-winning The Shape of the Pain, a collaboration with Chris Thorpe.Directed by Rachel Bagshaw, the play explores what it is like to have a digital body, when your physical body is always glitching and letting you down.
For this play, Nwando Ebizie worked on the Creative team and created the sound design.
Review, The Guardian:
“ The play is designed for audiences who communicate using BSL. The stage is a dazzling, Miami Vice-themed bedroom, and Nadarajah and Penn each perform the entire script – Penn speaking aloud and Nadarajah dancing and speaking using BSL. The effect is compelling.
At various points, Penn plays the drums, to a soundtrack of distorted electronic sound effects and samples from Janelle Monáe’s song Make Me Feel. The actors eventually perform part of the song too.
Its attempts to unpack the pleasures and dangers of digital voyeurism and society’s social media obsession are unremarkable, but Midnight Movie succeeds in its ambitious attempt to appeal to underrepresented audiences.” The Guardian, 2019.